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A new printing of the classic Batman tale collecting the 4-issue miniseries from 1989. Deacon Blackfire, a charismatic shaman with roots as old as Gotham City itself, has amassed the city's homeless into an army, one he seemingly uses to fight crime. But Blackfire has a hidden agenda!
- Sales Rank: #67470 in Books
- Brand: DC Comics
- Published on: 2009-12-15
- Original language: English
- Number of items: 1
- Dimensions: 10.17" h x .47" w x 6.64" l, .64 pounds
- Binding: Paperback
- 208 pages
- Used Book in Good Condition
About the Author
Jim Starlin is the acclaimed author of classic graphic novels including, for DC Comics, COSMIC ODYSSEY and BATMAN: A DEATH IN THE FAMILY, as well as the 1982 Marvel graphic novel The Death of Captain Marvel.� His other works include the space operas Warlock and Dreadstar.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Some people only want to see their bat-god be victorious and easily triumph over everything
By Joey
Not everyone is a fan of seeing Batman fall. Some people only want to see their bat-god be victorious and easily triumph over everything. But if you like to see Batman humanized a bit, and want to see the greatest example of him getting taken down and then getting back up again even stronger, than I highly recommend this book. Also, it's pretty rare to find a Jason Todd as Robin story, so that's nice.
19 of 22 people found the following review helpful.
Jason Todd's finest hour
By Babytoxie
The very late `80s was a time of big changes for Batman. Not only was the caped crusader's image and tone forever altered by Tim Burton's Batman movie, but he lost his sidekick Jason Todd (aka Robin) in a particularly grisly way. Before taking on Robin's demise, Jim Starlin wrote a 4-issue prestige format miniseries titled BATMAN: THE CULT, which took some narrative cues from Frank Miller's The Dark Knight Returns and paved the way for other chaotic tales set in Gotham City, such as Contagion and No Man's Land.
Starlin's story, while full of drama and action, is a bit too over-the-top for even this accepting comic fan to stomach, and it is perhaps the weirdest of the weird Batman stories. I've read all kinds of Batman tales, from golden age craziness to Elseworlds, but this one takes the cake. The Reverend Deacon Blackfire (don't laugh) is purging Gotham of its criminal element once and for all by rallying the homeless to his cause, drugging and brainwashing them, and getting them riled up to murder all the criminals, plus the politicians and police who would dare to get in the way. Batman is captured by Blackfire's goons, given the drug/brainwash treatment, and serves as a rank-and-file goon himself. And even then, with the situation getting so dire that Gotham City becomes first a war zone, and then a disaster area, the media is ambivalent to the situation, and regular citizens seem to feel that the Rev is doing a great job! Errr... yeah. Anyway, Batman must battle both the Rev's minions and his own brainwashing, which is affecting him with instability and paralyzing hallucinations. But that's okay, because who should arrive to pick up the caped crusader's slack and get him back in the action, but Jason Todd! That's right, the Robin that fans deemed worthless and had Jim Starlin later kill off in A Death in the Family is, in THE CULT, a hardcore fighter who saves the mostly-worthless Batman's tail numerous times. It really impressed me, to the point that I seriously wondered why any true fan would have wanted the kid dead.
Bernie Wrightson's pencils provide just the right atmosphere for this kind of story. If you've ever seen his work for Stephen King's The Stand, you know that Wrightson is the perfect artist to depict not only a ruined Gotham City, but a Batman fighting to stay sane. Unfortunately, Wrightson's pencils are almost completely obscured by Bill Wray's sloppy coloring. Muted watercolors with no contrast, and spattered backgrounds that make no sense... it's certainly in the running for the worst coloring job ever in a comic book. DC definitely needs to release a re-colored printing of this trade paperback, and to heck with Wray if he gets his feelings hurt. Sure, it's a dark story, but that's no reason to ruin Wrightson's detailed work.
So, it squeaks by with three out of five stars, but a recolored version of BATMAN: THE CULT would rate a solid 4, at least.
16 of 20 people found the following review helpful.
BATMAN & THE CULT
By K. Jump
A harrowing 80s tale from the Dark Knight. When the enigmatic Deacon Blackfire moves into Gotham with an eye on the poor and downcast, the Caped Crusader is but one of many to wish the "good" Deacon success. But Frost's motives prove far from altruistic, and when he shows his true colors even Batman cannot escape his sadistic grasp. Foreshadows some of the basic story elements from "Knightfall" and "No Man's Land," but Jim Starlin's tight, moving script is a far cry from many of the overblown, maze-like plots of today. The inner conflict Starlin's "broken" Batman must overcome is handled adroitley, and Berni Wrightson's visual depiction of the Dark Night Detective is quite powerful as well. Jason Todd is still Robin in this story, and Batman can't make it without him. The Deacon himself is the kind of wolf-in-the-fold that we see everyday on TV and in the newspaper--and sometimes even in our pulpits--a false prophet whose own Messiah Complex makes him capable of feats even a Bin Laden might applaud. It's going to take everything Batman has to bring him down, and the over-the-top climax does not disappoint. Out of print, but look for it in your comic shop's back-issue section (it was originally published as a 4-issue mini-series) or order it used from Amazon and add it to your own Batcave today.
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